As a podcaster, you know that audio quality is key to engaging and retaining your audience. And when it comes to capturing clear, natural-sounding vocals, few microphones can match the performance of a good wireless dynamic microphone.
Unlike condenser microphones, which are highly sensitive and require phantom power, dynamic microphones use a simple electromagnetic mechanism to convert sound waves into electrical signals. This makes them less prone to picking up unwanted noise and interference, and more rugged and reliable for on-the-go recording.
XLR microphones use a balanced connection that requires a separate XLR cable to connect to an audio interface, mixer, or recorder. This allows for greater flexibility in terms of signal routing, phantom power supply, and signal-to-noise ratio. XLR microphones can also handle higher SPL levels and provide a more natural, unprocessed sound compared to USB microphones.
Benefits of Using XLR Podcast Microphones
XLR podcast microphones offer more flexibility in signal routing and phantom power supply compared to USB microphones. They have built-in shock mounts and pop filters to minimize handling noise and plosive sounds. XLR microphones can handle higher SPL levels without distorting and offer a more natural sound.
They have wider frequency response and higher dynamic range compared to USB microphones, capturing more detail in vocals and instruments. XLR podcast microphones are a worthwhile investment for those who prioritize sound quality and flexibility. They may require additional equipment, but the improved sound quality and versatility are worth it.
Factors to Consider When Choosing an XLR Podcast Microphone
- Microphone type: the most common types of XLR microphones for podcasting are dynamic and condenser. Dynamic microphones are less sensitive to background noise and do not require phantom power, making them ideal for noisy environments and live performances. Condenser microphones are more sensitive and require phantom power, but can capture more detail and nuance in vocals and instruments.
- Polar pattern: the directionality of a microphone’s sensitivity, which determines how it captures sound from different angles and distances. For podcasting, a cardioid polar pattern is the most common, as it focuses on the front of the microphone and rejects sound from the sides and rear, reducing room noise and echo.
- Durability and build quality: XLR microphones can be more expensive than USB microphones, so it’s important to invest in a well-built and durable microphone that can withstand regular use and transportation.
- Battery life: the duration of time of an XLR microphone can operate on a single battery charge or set of batteries, typically measured in hours; longer battery life can reduce the need for frequent replacements or recharging, but may also add weight and bulk to the microphone.
By considering these factors and testing different XLR podcast microphones in your setup, you can find the one that delivers the best sound quality and value for your podcasting goals. To help you get started, we’ve compiled a list of the 12 best XLR podcast microphones on the market, based on our research and testing.
Best XLR Podcast Microphones At a Glance
Shure SM7B Vocal Microphone
Price: $399
Product Page: https://www.shure.com/en-US/products/microphones/sm7b?variant=SM7B
The Shure SM7B is a dynamic microphone designed for broadcast and studio use, and has become a popular choice among podcasters due to its excellent sound quality and versatility. It has a cardioid polar pattern, which focuses on the front of the microphone and rejects sound from the sides and rear, making it ideal for reducing room noise and echo. It also has a wide frequency response range and a switchable bass roll-off and mid-range boost, which can help to tailor the sound to different vocal styles and room acoustics.
Features
- Dynamic microphone with a cardioid polar pattern
- Frequency response range of 50Hz to 20kHz
- Impedance of 150 ohms
- Switchable bass roll-off and mid-range boost
- Internal air suspension shock isolation to reduce handling noise
- Detachable windscreen and pop filter
- Compatible with standard microphone stands and boom arms
Pros
- Excellent sound quality for vocals and instruments
- Versatile frequency response and EQ options
- High SPL handling capabilities for loud sources
- Durable and well-built design for long-term use
Cons
- Requires a high-gain preamp or mixer to achieve optimal performance
Electro-Voice RE20 Broadcast Announcer Microphone
Price: $449
Product Page: https://products.electrovoice.com/na/es/re20
The Electro-Voice RE20 is a classic dynamic microphone that has been used in broadcasting and recording studios for decades. It has a unique Variable-D design, which helps to maintain a consistent sound quality even when the user moves around or speaks off-axis. It also has a cardioid polar pattern, which rejects sound from the sides and rear to minimize room noise and echo.
Features
- Dynamic microphone with a cardioid polar pattern
- Frequency response range of 45Hz to 18kHz
- Impedance of 150 ohms
- Unique Variable-D design to maintain consistent sound quality
- Bass roll-off switch to reduce proximity effect
- Internal pop filter and shock mount to reduce handling noise
- Compatible with standard microphone stands and boom arms
- Large diaphragm for a natural and detailed sound
Pros
- Excellent sound quality for vocals and instruments
- Unique Variable-D design helps to maintain consistent sound quality
- High SPL handling capabilities for loud sources
- Durable and well-built design for long-term use
- Effective internal pop filter and shock mount
Cons
- Relatively low sensitivity may require closer mic placement or additional gain boosting
Shure SM58 Cardioid Dynamic Vocal Microphone
Price: $99
Product Page: https://www.shure.com/en-US/products/microphones/sm58?variant=SM58-LC
The Shure SM58 is a classic dynamic microphone that has been a popular choice for live performances and recording for over 50 years. It has a cardioid polar pattern, which focuses on the front of the microphone and rejects sound from the sides and rear, making it ideal for reducing room noise and feedback. It also has a pneumatic shock mount system, which helps to reduce handling noise and vibrations.
Features
- Dynamic microphone with a cardioid polar pattern
- Frequency response range of 50Hz to 15kHz
- Impedance of 150 ohms
- Pneumatic shock mount system to reduce handling noise
- Steel-mesh grille to protect the microphone element
- Compatible with standard microphone stands and boom arms
Pros
- Excellent sound quality for vocals and instruments
- Durable and reliable design for live performances and touring
- Affordable price point for a high-quality microphone
- Compatible with a wide range of audio equipment
Cons
- Relatively narrow frequency response range compared to other microphones in its class
- Less suitable for recording studio use due to its limited frequency response
Rode NT2A Multi-pattern Large-diaphragm Condenser Microphone
Price: $399
Product Page: https://rode.com/en/microphones/studio-condenser/nt2-a
The Rode NT2A is a versatile multi-pattern condenser microphone designed for studio use. It features selectable polar patterns, including cardioid, omnidirectional, and figure-8, which makes it suitable for a wide range of recording applications. It also has a large 1-inch capsule with a gold-plated diaphragm for a natural and detailed sound.
Features
- Multi-pattern condenser microphone with selectable polar patterns (cardioid, omnidirectional, and figure-8)
- Frequency response range of 20Hz to 20kHz
- Sensitivity of -36dBV/Pa (16mV @ 94dB SPL)
- Maximum SPL of 147dB
- Large 1-inch capsule with a gold-plated diaphragm
- Switchable high-pass filter and 3-position pad for added flexibility
- Includes a shock mount, pop filter, and dust cover
- Compatible with standard microphone stands and boom arms
Pros
- Versatile multi-pattern design for a wide range of recording applications
- High sensitivity and maximum SPL handling for capturing loud sources
- Switchable high-pass filter and pad for added flexibility
- Durable and well-built design for long-term use
- Includes a range of accessories to get started right away
Cons:
- Higher price point compared to other microphones in its class
- Requires phantom power to operate, which may not be available on all audio interfaces or mixers.
Audio-Technica ATR2100x-USB Cardioid Dynamic Creator Microphone
Price: $89.99
Product Page: https://www.audio-technica.com/en-eu/atr2100x-usb
The Audio-Technica ATR2100x-USB is a versatile microphone designed for content creators, podcasters, and live streamers. It features a cardioid polar pattern, which focuses on the front of the microphone and rejects sound from the sides and rear, making it ideal for reducing room noise and background chatter. It also has a USB and XLR output for easy connectivity with a variety of devices.
Features
- Dynamic microphone with a cardioid polar pattern
- Frequency response range of 50Hz to 15kHz
- Sensitivity of -57 dBV/Pa at 1 kHz
- Maximum SPL of 106 dB SPL
- USB and XLR output for easy connectivity with computers, audio interfaces, and mixers
- Built-in headphone jack with volume control for real-time monitoring
- Includes tripod desk stand and pivoting stand mount
Pros
- Affordable price point for a high-quality microphone
- Dual USB and XLR output for versatile connectivity options
- Built-in headphone jack for real-time monitoring
- Durable and portable design for on-the-go recording
Cons
- Narrow frequency response range compared to other microphones in its class
- May not be suitable for professional studio use due to its lower sensitivity and maximum SPL handling.
AKG Pro Audio P220 Vocal Microphone
Price: $159
Product Page: https://www.akg.com/Microphones/Condenser%20Microphones/P220.html
The AKG Pro Audio P220 is a large-diaphragm condenser microphone designed for studio and live performance use. It features a cardioid polar pattern, which captures sound from the front of the microphone and rejects sound from the sides and rear, making it ideal for vocals, acoustic guitars, and other solo instruments. It also has a switchable bass-cut filter and a -20dB pad for additional versatility.
Features
- Large-diaphragm condenser microphone with a cardioid polar pattern
- Frequency response range of 20Hz to 20kHz
- Sensitivity of 20 mV/Pa
- Maximum SPL of 135 dB SPL
- Switchable bass-cut filter and -20dB pad for versatility
- Comes with a spider shock mount and metal carrying case
- Requires 48V phantom power for operation
Pros
- High-quality sound reproduction with a wide frequency response range
- Versatile with switchable bass-cut filter and -20dB pad
- Durable construction with a metal body and included shock mount
- Comes with a carrying case for protection during transport
- Affordable price point for a high-quality condenser microphone
Cons
- Requires 48V phantom power for operation, which may not be available on all recording equipment
- May not be suitable for louder sources due to its lower maximum SPL handling compared to some other condenser microphones.
Neumann U87 AI Switchable Studio Microphone
Price: $2499
Product Page: https://www.neumann.com/en-en/products/microphones/u-87-ai/
The Neumann U87 AI is a professional-grade large-diaphragm condenser microphone that is widely regarded as a studio standard. It features a switchable polar pattern, high-pass filter, and pad, making it a versatile tool for capturing vocals, acoustic instruments, and more. The U87 AI is known for its smooth and natural sound reproduction, making it a popular choice for recording engineers and producers around the world.
Features
- Large-diaphragm condenser microphone with switchable polar pattern (cardioid, omnidirectional, figure-8)
- Frequency response range of 20Hz to 20kHz
- Sensitivity of 20 mV/Pa
- Maximum SPL of 117 dB SPL (cardioid), 125 dB SPL (omnidirectional), 123 dB SPL
- Switchable high-pass filter and pad for added versatility
- Requires 48V phantom power for operation
Pros
- Extremely high-quality sound reproduction with a smooth and natural frequency response
- Versatile with switchable polar pattern, high-pass filter, and pad
- Widely regarded as a studio standard and used by top recording engineers and producers around the world
Cons
- Expensive price point, making it a significant investment for most home studio setups
Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone
Price: $99
Product Page: https://www.audio-technica.com/en-eu/at2020
The Audio-Technica AT2020 is a popular cardioid condenser microphone that is widely used in home and project studios. It is a versatile microphone that can be used for recording vocals, acoustic guitars, percussion, and more. The AT2020 is known for its excellent sound quality, affordability, and durability.
Features
- Cardioid polar pattern that captures sound from the front and reduces background noise
- Frequency response range of 20Hz to 20kHz
- High SPL handling of up to 144 dB, making it suitable for loud sources
- Requires 48V phantom power for operation
- Low-mass diaphragm that provides excellent transient response
- Rugged metal construction that can withstand heavy use
- Includes a pivoting stand mount for easy positioning
- Compact and lightweight design for easy transportation
Pros
- Affordable price point, making it accessible to most home studio setups
- High-quality sound reproduction with a clear and natural frequency response
- Versatile with a cardioid polar pattern and high SPL handling
- Durable construction that can withstand heavy use
- Easy to set up and use, with a pivoting stand mount included
Cons
- Lack of additional features such as a high-pass filter or pad
- Cardioid polar patterns may not be suitable for all recording scenarios, such as recording in a room with poor acoustics.
Rode Procaster Dynamic Broadcast Microphone
Price: $229
Product Page: https://rode.com/en/microphones/broadcast/procaster
The Rode Procaster is a dynamic broadcast microphone designed specifically for radio, podcasting, and other broadcast applications. It is known for its exceptional sound quality, durability, and ease of use.
Features
- Dynamic capsule with a cardioid polar pattern that minimizes background noise
- Frequency response range of 20Hz to 20kHz
- High output dynamic capsule that produces clear and detailed sound
- Internal pop-filter that reduces plosives and wind noise
- Includes a swivel mount and zip pouch for easy storage and transportation
- Heavy-duty metal construction that is built to last
Pros
- Excellent sound quality with a natural and detailed sound
- Ideal for broadcast applications with its internal pop-filter and cardioid polar pattern
- Easy to use with a simple plug-and-play setup
- Durable construction that can withstand heavy use
Cons
- Requires a preamp or interface with sufficient gain to properly drive the microphone, which may increase the overall cost of using the microphone.
Sennheiser MK 4 Large Diaphragm Condenser Microphone
Price: $299.95
Product Page: https://en-us.sennheiser.com/condenser-microphone-studio-recordings-professional-mk-4
The Sennheiser MK 4 is a large diaphragm condenser microphone that is known for its exceptional sound quality and versatility. It is suitable for a wide range of applications, including vocals, acoustic instruments, and percussion.
Features
- Large diaphragm capsule with a cardioid polar pattern
- Frequency response range of 20Hz to 20kHz
- Maximum SPL of 140 dB, making it suitable for loud sources
- Low self-noise of 10 dB(A) for clean recordings
- Includes a shock mount and a protective pouch for easy transportation and storage
- Metal housing for durability and protection against electromagnetic interference
- Requires +48V phantom power to operate
- 10-year warranty from Sennheiser
Pros
- High-quality sound with a natural and transparent tone
- Versatile microphone that is suitable for a wide range of applications
- Low self-noise that results in clean recordings
- Solid construction that is built to last
- Comes with a shock mount and protective pouch for easy transportation and storage
Cons
- Requires +48V phantom power to operate, which may not be available with all audio interfaces or mixers.
Editor’s Choice # 1: Hollyland Lark M1 Wireless Lavalier Microphone
Price: $149
Product Page: https://www.hollyland.com/product/lark-m1
The Hollyland Lark M1 is an affordable wireless lavalier microphone that offers a lot of features for its price. The microphone is easy to set up and use, making it ideal for content creators who want to record high-quality audio without any hassle. The microphone has a compact and lightweight design, which makes it easy to carry around.
Features
- Wireless transmission range up to 650 feet
- Frequency response: 20Hz-20kHz
- Omnidirectional polar pattern
- 8 hours of battery life on a single charge
- Compatible with smartphones, tablets, and cameras
- 2.4GHz wireless technology for stable connection
- LED indicator for battery level and connection status
- Comes with a carrying case and accessories
Pros
- Affordable price point
- Easy to set up and use
- Compact and lightweight design
- Compatible with various devices
- Wireless range up to 50 feet
Cons
- Battery life could be longer
- Audio quality could be better in noisy environments
Editor’s Choice # 2: Hollyland Lark C1 Wireless Microphone for Mobile Podcasting
Price: $119
Product Page: https://www.hollyland.com/product/lark-c1
While there’s no connection between XLR and Hollyland Lark C1, podcasters are highly obsessed with this wireless microphone kit. First, this device is available in Android and iOS versions, giving users worldwide ease. The DUO variant of this kit consists of 2x transmitters (TX) and 1x receiver (RX). Due to its plug-and-play functionality, you can attach the receiver to your Android phone through a USB Type-C port. Contrarily, the iOS version comes with a lightning port that fits iPhones and iPads.
Apart from compatibility, the Hollyland Lark C1 lets you charge and record RX and TX simultaneously. Upon fully charged case, you can use this wireless microphone for approximately 32 hours. When removed from the charging case, the transmitters can record your podcast’s audio for up to 8 hours. Moreover, this microphone frees you from unplugging the RX from your smartphone to play the recorded sound so you can directly listen to the audio. Besides, the Hollyland Lark C1 covers a distance of approximately 650 feet, allowing you to record your guest’s voice without worrying about the gap in between.
Features
- 16-bits bit depth
- 110dB Max SPL
- Hi-Fi audio quality
- 48kHz sample rate
- LarkSound app supported
- Omnidirectional polar pattern
- The iOS version is MFI-certified
- Active Noise Cancellation (ANC)
- 20Hz to 20kHz frequency response
Pros
- User-friendly interface
- Durable charging case
- Top-notch features at a low price
- Lightweight TX (11.5g) and RX (7g)
- Fast TX and case charging time (only1.5 hours)
Cons
- The clip-on system could be of better quality
Comparison of the Best XLR Podcast Microphones
| Microphone | Type | Polar Pattern | Frequency Response | Sensitivity | Self-Noise | Price Range |
| Shure SM7B | Dynamic | Cardioid | 50Hz-20kHz | -59 dBV/Pa | 2.9 dB(A) | High |
| Electro-Voice RE20 | Dynamic | Cardioid | 45Hz-18kHz | 1.5 mV/Pa | 2.5 dB(A) | High |
| Shure SM58 | Dynamic | Cardioid | 50Hz-15kHz | -54.5 dBV/Pa | 2.7 dB(A) | Low |
| Rode NT2A | Condenser | Cardioid, Figure 8, Omnidirectional | 20Hz-20kHz | 16 mV/Pa | 7 dB(A) | High |
| Audio-Technica ATR2100x-USB | Dynamic | Cardioid | 50Hz-15kHz | -52 dBV/Pa | 18 dB(A) | Low |
| AKG P220 | Condenser | Cardioid | 20Hz-20kHz | 20 mV/Pa | 16 dB(A) | Medium |
| Neumann U87 AI | Condenser | Switchable (Omni, Cardioid, Figure-8) | 20Hz-20kHz | 20/28/22 mV/Pa | 12/10/11 dB(A) | Very High |
| Audio-Technica AT2020 | Condenser | Cardioid | 20Hz-20kHz | -37 dBV/Pa | 20 dB(A) | Low |
| Rode Procaster | Dynamic | Cardioid | 75Hz-18kHz | -56 dBV/Pa | 21 dB(A) | Medium |
| Sennheiser MK 4 | Condenser | Cardioid | 20Hz-20kHz | 25 mV/Pa | 10 dB(A) | High |
| Hollyland Lark M1 | Lavalier | Omnidirectional | 20Hz-20kHz | 110dB SPL | – | Medium |
| Hollyland Lark C1 | Lavalier | Omnidirectional | 20Hz-20kHz | 110dB SPL | – | Medium |
Best overall: Shure SM7B Vocal Microphone. The Shure SM7B is a highly-regarded microphone among podcasters, broadcasters, and musicians for its excellent sound quality, versatility, and durability. It has a smooth, natural sound that can handle a wide range of voices and instruments, and it comes with multiple switches and features to help fine-tune the sound. Its only downside is its relatively high price.
Best value: Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone. The Audio-Technica AT2020 is a budget-friendly microphone that delivers surprisingly good sound quality for its price. It has a cardioid polar pattern that helps minimize background noise, a wide frequency response, and a high SPL handling. It also has a sturdy build and a sleek design, making it a great choice for beginner podcasters or those on a tight budget.
Best budget: Shure SM58 Cardioid Dynamic Vocal Microphone. The Shure SM58 is a classic microphone that has been used by musicians and performers for decades. It has a cardioid polar pattern that helps reduce feedback and background noise, and it has a rugged build that can withstand heavy use. While it may not have the same level of sound quality as some of the other options on this list, it is a reliable and affordable choice for those who need a basic microphone for podcasting.
Final Thoughts
In this article, we have reviewed and compared the best XLR podcast microphones available in the market. We have discussed the features and specifications of each microphone, their pros and cons, and compared them in a table format based on their price, type, polar pattern, frequency response, sensitivity, and self-noise.
After considering all the factors, our recommendation for the best XLR podcast microphone would be the Shure SM7B. It has a wide frequency range, excellent sensitivity, low self-noise, and a cardioid polar pattern that rejects unwanted background noise. Although it is priced higher than some other options, its exceptional performance justifies the cost. For those who are looking for a more affordable option, the Audio-Technica AT2020 is a great choice. It offers good sound quality and sensitivity at a lower price point.
Overall, the best XLR podcast microphone ultimately depends on personal preference and specific needs. We recommend considering factors such as the type of content being produced, the environment in which it will be recorded, and the budget available.
We hope this article has provided helpful information and insights into the best XLR podcast microphones available in the market. We invite readers to share their feedback or questions in the comments section.
Frequently Asked Questions
What is the difference between XLR and USB microphones?
XLR microphones use a balanced connection and require an external phantom power source, while USB microphones are powered through the USB port and have a digital output. XLR microphones generally offer greater flexibility and sound quality, but require additional equipment and setup.
Do I need an audio interface or mixer to use an XLR microphone for podcasting?
Yes, in most cases you will need an audio interface or mixer to provide phantom power and route the signal to your recording device. Some XLR microphones may have built-in preamps or USB connectivity, but most will require an additional device.
What is the best polar pattern for podcasting?
The cardioid polar pattern is generally considered the best for podcasting, as it captures sound from the front while rejecting sound from the sides and rear. This helps to minimize background noise and room reflections.
Can I use an XLR microphone with a digital recorder?
Yes, you can use an XLR microphone with a digital recorder that has an XLR input or a compatible adapter. Some digital recorders also have built-in preamps and phantom power, making them a convenient option for portable podcasting setups.
How important is frequency response for podcasting?
Frequency response is important for capturing accurate and detailed sound, but it may not be as critical for podcasting as it is for music recording. A wide frequency response range can help to capture nuances in voices and instruments, but a microphone with a more limited frequency range may still provide excellent results for podcasting.
Are there any affordable XLR podcast microphones?
Yes, there are several affordable options for XLR podcast microphones, such as the Audio-Technica AT2020 and the AKG Pro Audio P220. While these may not offer the same level of sound quality as more expensive options, they can still provide excellent results for podcasting on a budget.
How do I connect an XLR microphone to my computer?
To connect an XLR microphone to your computer, you will need an audio interface or a mixer with a USB output. Plug your XLR cable into the microphone and connect the other end to the audio interface or mixer. Then, connect the USB cable from the interface or mixer to your computer. Make sure to select the correct input on your recording software to start recording.
Do I need a preamp for my XLR microphone?
Most XLR microphones require a preamp to boost the signal level before it reaches the recording device. Many audio interfaces and mixers have built-in preamps, but you can also purchase a standalone preamp to use with your XLR microphone.
How can I reduce background noise in my XLR microphone recordings?
To reduce background noise in your XLR microphone recordings, you can try the following techniques:
- Use a shock mount or boom arm to reduce handling noise.
- Use a pop filter to reduce plosive sounds.
- Record in a quiet environment or use sound-absorbing materials.
- Use noise reduction software in post-production.
Can I use an XLR microphone for streaming on platforms like Twitch or YouTube?
Yes, you can use an XLR microphone for streaming on platforms like Twitch or YouTube. However, you will need an audio interface or mixer with a USB output to connect the microphone to your computer for streaming.
What’s the difference between a dynamic and condenser XLR microphone?
Dynamic XLR microphones are more rugged and better suited for high-volume sound sources like drums and electric guitars. They also do not require external power or batteries to operate. Condenser XLR microphones, on the other hand, are more sensitive and better suited for quieter sound sources like vocals and acoustic guitars. They require external power in the form of phantom power from an audio interface or mixer.
